A group of journalists covering George Bush’s planned invasion of Iraq in 2003 are skeptical of the presidents claim that Saddam Hussein has “weapons of mass destruction.”
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Corporate billionaire Edward Cole and working class mechanic Carter Chambers are worlds apart. At a crossroads in their lives, they share a hospital room and discover they have two things in common: a desire to spend the time they have left doing everything they ever wanted to do and an unrealized need to come to terms with who they are. Together they embark on the road trip of a lifetime, becoming friends along the way and learning to live life to the fullest, with insight and humor.
Twins separated at birth, Camryn and Alex meet by chance for the first time on their 21st birthday and discover they’re witches with the power to save their homeland of Coventry from the evil that threatens it. But when Camryn leaves Alex to face the darkness alone, will Coventry be doomed? Or will the sisters multiply their magic by standing together?
After years of paying his dues in every bar from New York to Pennsylvania, New Jersey Rock n’ Roller Jimmy Ford trades in his rock n’ roll fantasy for the bright lights of Nashville. His new life in the Music City presents staggering highs and lows, but everything may not be quite as it seems. Jason Michael Carroll (Country Music Star whose Top 40 hits include “Alyssa Lies” “Livin Our Love Song” and “I Can Sleep When I’m Dead”), and Katie Garfield (“The Birth of a Nation”) lead an extraordinary cast in this genuine, compelling drama that really boogies. Despite lofty expectations, Jimmy Ford (Carroll) quickly realizes that Nashville presents its own unique challenges
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
This movie is of Hally, an adolescent white South African. He is stuck between his intolerant father’s outlook of him and those of his caretaker, Sam. Sam is a black waiter and Hally’s friend and teacher. Hally is required to laugh at his father’s racist jokes, by contrast, Sam exposes Hally to uplifting experiences. One day Hally was terribly humiliated by his father and Sam shows Hally how to be proud of something he can achieve.